Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?

On the fifth of December 2024, a leading publication published the headline “Insurance CEO Gunned Down In Manhattan”. The report went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then calmly departed the scene”. The murder in broad daylight was truly cold and shocking. But numerous US citizens had a different response: for those who had been denied health insurance or struggled with medical bills, the news felt like a release. Social media blew up. One comment read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company created to maximize profits on your health.”

Five days later, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania alumnus with a graduate degree in computing, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with prosecutors seeking the capital punishment. So what is his background? And what might have motivated the alleged crime? These are the issues John H Richardson attempts to answer in an inquiry that delves into wider topics, too.

Understanding the Person

A writer for a major publication, Richardson spent years researching the communities that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an apocalyptic future”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on Goodreads”. Their content covered climate change to masculinity, along with a “emphasis on his own self-improvement, both body and mind”. Furthermore, Richardson analyzes his correspondence with online personalities and authors as well as his many posts on social media. These primary sources, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old deceiver’s charm”. Here, as elsewhere, Richardson attempts to cast his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “refuse” and “remove”, etched on the ammunition left behind at the crime scene. These are the terms occasionally employed by medical insurers to deny coverage. He examines the indication Mangione suffered from a chronic back condition, which could have been a reason for an attack, but finds no proof; instead, what meaning there is seems to lie in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to eventually either take control, or eliminate humanity, or both.

Gaps in the Narrative

Notably missing from the book are conversations with the principal actors. Richardson made requests, but did not anticipate time with Mangione himself. And his family stated explicitly that they had decided against speaking to the media in advance of the trial. Another glaring gap is any detailed data about the deceased, Thompson, though we learn that under his guidance, from 2021 to 2023, company earnings increased by 33%.

Ambiguous Findings

By book’s end, the reader has no clear understanding of Mangione’s character or what might have motivated his accused actions. Worse still, Richardson’s obvious sympathy for him gives the reader the uncomfortable impression of having been privy to a veiled endorsement of an targeted killing. In the book’s final lines, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that fable “Robin Hoods come with a appealing vow … They arrive in times of social turmoil, when the people are suffering and everything is confusing anymore.”

One thing is certain: as Mangione’s defence team works to have accusations that could lead to the death penalty dismissed, any mention of myths, Robin Hoods, champions or monsters will not be allowed in court in support for this handsome young man with a “features reminiscent of classical art” facing judgment for murder.

Elizabeth Lee
Elizabeth Lee

Digital artist and blockchain enthusiast with a passion for exploring NFT ecosystems and sharing actionable insights.